Active Entries
- 1: The Long Loud Silence By Wilson Tucker
- 2: Books Received, May 24 to May 30
- 3: Mars or bust
- 4: Inventing the Renaissance by Ada Palmer
- 5: (no subject)
- 6: The Crown Jewels (Divertimenti, volume 1) by Walter Jon Williams
- 7: Well, I killed my email trying to fix it
- 8: I deleted all my emails by accident
- 9: Kindergarten Wars, volume 1 by You Chiba
- 10: Clarke Award Finalists 1998
Style Credit
- Style: Neutral Good for Practicality by
Expand Cut Tags
No cut tags
no subject
Date: 2008-12-28 11:39 pm (UTC)I've honestly seen no improvement in plotting and characterization, much less world building in the last twenty-five years; I have however seen a great increase in the baroqueness of same. That is, instead of doing the job in a hundred words, authors have learned to do the same thing in five hundred. Likewise, if three main characters is good, eighteen must be even better!
Take "A Song of Ice and Fire": the world building is no better then that of say "The Broken Sword": in fact the world Martin comes up with is nonsensical. But Martin surrounds that nonsensical world with so much verbiage that readers tend to miss the flaws in the worldbuilding. Likewise, take the characterization of someone like Cersei; Martin surrounds her with so much extraneous detail that it takes a while before one realizes that she's the same stereotypical "bitch queen-mother" that we've seen in the literature for decades.
So largely I'd say it's a matter of authors shovelling a crapload of words to try to hide the flaws in their work, rather than an improvement on the part of the readers.