james_davis_nicoll (
james_davis_nicoll) wrote2014-10-17 03:08 pm
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The Great Heinlein Juveniles Plus The Other Two Reread 10: Time for the Stars
In which archaic sexism and racism provide unwelcome distraction from dubious physics: Time for the Stars by Robert A. Heinlein
As ever, corrections will not be dealt with until I get home tonight.
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Typo patrol ,delete after reading
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hostile, well-organized natives.
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just as irrelevant as the mutiny.
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the telepathic communication
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(Anonymous) 2014-10-17 08:33 pm (UTC)(link)no subject
In any case, a tax seems a lot less heavy-handed than an outright limitation of children, like you see in a lot of these "overpopulated Earth" futures.
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(Anonymous) - 2014-10-17 23:17 (UTC) - Expand(no subject)
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(Something that people often forget in SF/Fantasy where long lives/time dilation/time travel/whatever is involved: increasing the number of generations between people is equivalent to moving outward.)
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(Anonymous) 2014-10-17 09:55 pm (UTC)(link)(no subject)
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Offhand, I can't think of any other stories which made space so unappetizing except for Malzberg's astronaut stories. "Scanners Live in Vain" doesn't count because space is incidentally painful-- it's going to be good once the pain problem is solved.
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Ummm... based on your sample size of how many star systems with complex life forms? We do not know enough to form a sensible opinion about whether our planet was precocious or rode the short bus... nor enough about the range of extremely specific possible star + planet histories (even for F, G and K stars) to make a good estimate of when the clock starts.
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Heinlein's stories were no exception -- the Mother Thing in Have Space Suit, Will Travel, for instance, comes from Vega, which is a type A0 with a life span of well under a quarter billion years -- the Mother Thing's people must have set the galactic record for the speed of their evolutionary development.
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Things to like
(Anonymous) 2014-10-18 05:19 am (UTC)(link)-- The pacing is weird, but it means we get to spend a lot of time on the ship, and that's actually kind of interesting. Heinlein did manage to give a feel for how a mixed civilian-military expedition crowded in together would feel.
-- The inhabitants of Elysia are almost Lovecraftianly creepy. The bit with the big? "It wasn't a mouth that got him. I don't think it was a mouth." That was downright disturbing, and very well done.
-- The future shock is depicted with a few deft strokes -- women without hats, ruffly around the ridge, and so forth.
-- It never gets pointed out, but the kill rate was crazy high in this book, I think less than half of the named characters make it to the end. Not sure if it sets the record for Heinlein generally -- I think maybe yes? -- but it's certainly by far the most lethal of the juveniles. As a young person, this gave me a bracing sense of unpredictability.
Doug M.
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