james_davis_nicoll (
james_davis_nicoll) wrote2013-04-20 02:23 pm
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It's not uncommon
For me to decide whether or not I like a song during its opening chord. I would like to be able to reassure writers I am not similarly judgmental about written material.
That said, the inclusion of a prologue automatically bumps down how good a book can be two categories because it says right off the writer is undisciplined and is going to waste my time.
On an unrelated note, I think more novels need to have the subtitle "A novel" because sometimes I become confused and think I am reading a grapefruit.
That said, the inclusion of a prologue automatically bumps down how good a book can be two categories because it says right off the writer is undisciplined and is going to waste my time.
On an unrelated note, I think more novels need to have the subtitle "A novel" because sometimes I become confused and think I am reading a grapefruit.
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These things matter!
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(Truth be told, I take medication which disagrees with grapefruit, so I'm going on memory; white?)
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---
1. Where X is a show or comic that I never regarded as terribly science-oriented.
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This may be partly just a matter of what was in fashion, but they were really keen on prologues.
P.
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They'd changed the title, they'd regrouped the text to make fewer chapters and deleted the best heading quotes, and they'd insisted on changing the emphasis from intelligent nanotech to falling rocks.
What they got was as in-your-face a prologue as I could get my collaborator to agree to.
They have not asked us for the slightest change since.
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"A Novel" seems to be something authors tack onto their titles when the title comprises one word plus an optional article. Perhaps it helps with search or differentiating between similar titles?
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I just finished reading Alif the Unseen on James' recommendation, and wasn't sure which book I would read next. So I'll try that one :).
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I'm not sure that speaks well of my reading comprehension ability.
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HUMPTY DUMPTY
AN OVAL
.
I think you and he might have gotten along.
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--Dave
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If your grocery lists have prologues, you may have a problem.
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The Sea Wasp sat at his computer, contemplating the reply just posted by "Doc Lemming". He wondered, idly, why his respondent had chosen that particular nom du net, and then turned his attention to the response itself. It seems, the Wasp thought, that Doc Lemming has surety where he should not.
Decision made, the Wasp began his response.
Response:
Actually, I'm not aware of specific disadvantages of prologues. To me they've always just been a chapter in a book that has the convenience of letting me know stuff that I might not know if he just jumped straight into the book, and that will allow me a better perspective on the events of the main book. It never occurred to me to skip a prologue, as some here have mentioned. Well, with the obvious exception of skipping a prologue I'd already read and didn't need to re-read because I remembered it well enough. It would be like deciding to skip any other random chapter; I presume the author didn't just type the chapter for their finger exercise.
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The advice I have heard, modified by however it passes through my brain:
Generally, a prologue gets called a prologue instead of chapter 1 if there's a serious disconnect from the rest of the narrative. The disconnect might be temporal or spatial: here's something that happened a long time ago, or this event over in Australia effects the actual story in Canada, and there's no way to slip the information to the characters. (Something like the accidental release of the disease that's going to affect everyone in the story but that the characters will never know, that might be a prologue.) You can also have what Dan Wells calls "the ice monster prologue" where there's some genre element that doesn't show up until late in the novel, but you want to reassure the reader that it's there. Magic, for instance, to actually label something a genre fantasy. The magic doesn't show up until late, but you want the reader to know that it's a fantasy.
The biggest disadvantage to prologues is that many people don't read prologues. And the disconnect means that you essentially have to hook the reader twice, because the fact that the characters that the reader has become invested in won't show up for a while or at all. Disadvantages to prologues are not huge, but they are there, like any other stylistic choice.
There are also genre conventions: mysteries or thrillers often have a prologue that outlines the death or theft of the Macguffin. Fantasies at some publishers seem to require prologues as a genre convention. I think it matters what the readers expect. You don't have to do what they expect, but you have to know about it.
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I am not as fond of titles such as Title That Obviously Marks This As A Work Of Fiction: A Novel. But I don't mind publishers who err on the side of caution.
Maybe I'm saying that your peeve is not among my own peeves.
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And I thought I'd had a long day.
(
And I thought I'd had a long day.
(<ljuser=cattitude">, who has just had the same long day I've had, suggests that sometimes you <em>are</em> reading a grapefruit.)
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Also, if ***** A Novel opens with a dream sequence, which upon the dreamer - protagonist wakening, turns out to be not only a dream, but a false dream.
Also, opening ***** A Novel with the same chapter with you concluded a previous book!
On the other hand I see that many readers like to read fiction novels.
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Vikram Seth, A Suitable Boy: A Brick.
[I'm reading it right now, so it's on my mind.]
Frances Hardinge, A Face Like Glass: A Psychedelic Drug.
And so on.
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"Undisciplined"? That seems a bit much.
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Forwards I'll always read, but after the main text - particularly when the author is commenting on their own short stories due to potential spoilers.
And appendices, sure - I'll often skim/skip them if they're of the "notes on the world" encyclopedic variety and I was more interested in the story than the world.
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-- Steve was trying to have some fun with tropes on that one, to be honest.
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