I'm already at that stage with most of Heinlein. Oh, and The Stars My Destination - it's the Count Of Monte Cristo, in spaaaaaaace, and badly written. And yet, somehow, it's a classic?
I remember being rather surprised on rereading Space Viking that the casual acts of mass [1] murder carried out by the protagonist never really registered as somewhat morally iff when I read the book as a teenager.
1: On a scale perhaps an order of magnitude higher than anyone on Earth has managed.
Some embarrassing trends, like Laurenn J. Framingham, haven't even crested yet. But I think these two are in a persistent vegetative state:
John W. Campbell's editorship. Because what science fiction really needed was an injection of Confederate Psychic magazine!
The Star Trek novel. There have been, what, two good Star Trek novels? out of six hundred sixty-six? and now you can't even give them away at rummage sales?
I agree about Ender's Game, but I think there's still potential for looking back with wonder and confusion, not based on the book but the writer. I don't think that counts here, though.
I was about to suggest the same, though I suspect it may retain its potence given the continued existence of sufficiently cloistered teenagers. I and my friends found it inspiring way back in the late 90s.
More than two, at least in my opinion. But central to that--it's arguably not fair to relegate all Star Trek novels to the bin together; short of relegating all tie-in fiction, that is. Nothing is inherently bad about a Trek novel except insofar as something is inherently bad about a media tie-in (a claim I will not make).
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