james_davis_nicoll (
james_davis_nicoll) wrote2025-07-01 09:02 am
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The Dreamstone (Ealdwood, volume 1) by C J Cherryh

Only the brave, the arrogant, the naïve, or the desperate Men trespass in Arafel's Ealdwood. Into which category does the latest visitor fall?
The Dreamstone (Ealdwood, volume 1) by C J Cherryh
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(Anonymous) 2025-07-01 02:00 pm (UTC)(link)...that it's the original view? Or, to be fair, an original view - it's straight from Irish myth. Modern fairy stuff tends to utterly ignore the Irish mythology while stealing all the names, which can cause confusion.
https://en.wikipedia.org/wiki/Lebor_Gab%C3%A1la_%C3%89renn#Milesians
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* "retreated" because the current local rulers are useless, but divinely/inheritedly legitimate (so they insist), and they clearly didn't get rid of the landscape shapers so the shapers must've retreated for their own reasons.
ETA: And what I should've added is that the convenience of this sort of projection is the Fair Folk can be imagined as powers that be, or aristos, or neighbours, for the purposes of blame (or even be a source of good fortune when an explanation for that is required).
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(Anonymous) 2025-07-01 05:02 pm (UTC)(link)Also depending on where, when, and who... they weren't. Like all myths Irish fairy myths aren't a coherent body, but a growing-together of a thousand years of stories; compare and contrast Tír na nÓg and the Hunchback of Knockgrafton!
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Which isn't to say fairy folktales are UFO encounters or vice versa. But it sure feels like there's something in our brains that makes us prone to these sorts of tales.
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In my experience, everything by Cherryh reads like something longer. This is not bad per se but I always finish exhausted and having no real idea what the hell just happened - much like her protagonists.
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It is certainly why my fiction prose (much of which is consciously based on Cherryh) changes affect when I write characters and realms inspired by myth.