I did think he was awfully charismatic in Incubus; I may have only understood the subtitles but I kept paying attention to him. (Granted, there wasn't much competition from the other actors, but the cinematography of the thing, at least on the print TCM aired, was compellingly odd --- just, off, in every way --- and the pattern of light and shade itself compelling.)
Exactly, it's all just a few degrees off center in difficult to define ways. My theory is that this was a film made by people wanting to do an arthouse flick but who had no idea what actually constituted an arthouse flick. It's intriguing, either way.
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