And then the Ood thank the Doctor and the companion for freeing them.
It's possible that the Ood are a little shaky on the whole one body - one mind thing and they thought they were thanking the person who just had a body injested by their Very Large Brain.
The Doctor and Donna appear to have been catalysts, moving the action forward faster than our PETAoid fellow might have initially intended. Also, the intent, partially telepathic listening they did to the captive "wild Ood" appears to have focused the Ood throughout the complex in some fashion, so that also could have impressed our Chthuluesque innocents. The Ood are a little fuzzy on the individuality of beings, so they might not even have noticed PETA Lad being digested. Or they might even have considered it a good thing, along the lines of "Hey, he wanted to save us, he must want to be one of us!"
Of course, it's the Whoniverse. It need only make sense when it wants to.
I did notice that, but it was in the queue behind the suspension of disbelief problem caused by creatures that carry their brains around in their hands, and being creeped out to the max by the way the Ood sound like the Voc robots from Robots of Death. (I'm still not sure whether that last is deliberate.)
Yeah, that's one story where the protagonists abjectly fail to do any protagging, and yet the guest cast all know what the name of the show is and suck up to them anyway.
Also, the whole "look, viewers, the evils of slavery" thing got my goat because they'd completely ignored the basis of the ancient Roman economy in the previous episode about Pompeii.
At the risk of getting spoilery, it's now canon that the Doctor can defeat monsters just by telling them that it's his show what a badass he is, once they've killed a few minor characters.
P.S. Though the guest cast knowing what show they are in can be handwaved as the telepathic influence of the Tardis. As well as transparently solving language problems, it makes the locals assume it's fine, indeed a good thing, that the crew have just turned up, no matter how suspicious the locals might naturally be.
Plot? There was a plot? Are you sure you watched the same show I did? As far as I could see there was a lot of • Running • Shooting • Running and shooting • Craaaazy alien frothing (crazy!) • Small amount of witty banter • Repeated confirmation of the Who writers' anti-corporate bias • Treacly sentimental twaddle about We Are All One In Song foofahrah
None of this really seems to amount to a plot. Frankly, while I don't mind Catherine Tate as the lady-who's-not-gonna-fall-for-the-doctah (nope, absolutely not), as I think she at least has a decent sense of comic timing, so far I can't say that the new season of Who really has anything going for it.
I should probably add, one of the reasons I don't now mind Tate is that at least (so far) the writers seem to have moved on from her previous characterization as a bubble-headed, self-involved screamer. But there's still a fair bit of waffling around about what exactly her motivations are. And quite often I find myself shocked that she doesn't give herself whiplash with her emotional careening... (Anger, Catherine! Terror! Sorrow! More!)
I'd argue a little differently - the end of Snzvyl bs Oybbq unf gur Qbpgbe npghnyyl hfvat Gvzr Ybeq cbjref, naq qbvat fb sne zber npgviryl ntnvafg rarzvrf guna ur rire qbrf va guvf frnfba. Genccvat na rarzl va n zveebe, guebjvat nabgure vagb n oynpx ubyr, serrmvat bar vafvqr bar zbzrag bs gvzr - ur qbrf abguvat yvxr gung va guvf frnfba!
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Oh yeah. Disturbing as Hell, that "mercy".
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It's possible that the Ood are a little shaky on the whole one body - one mind thing and they thought they were thanking the person who just had a body injested by their Very Large Brain.
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Pirate edition DVDs, though...
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Of course, it's the Whoniverse. It need only make sense when it wants to.
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Also, the whole "look, viewers, the evils of slavery" thing got my goat because they'd completely ignored the basis of the ancient Roman economy in the previous episode about Pompeii.
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that it's his showwhat a badass he is, once they've killed a few minor characters.no subject
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• Running
• Shooting
• Running and shooting
• Craaaazy alien frothing (crazy!)
• Small amount of witty banter
• Repeated confirmation of the Who writers' anti-corporate bias
• Treacly sentimental twaddle about We Are All One In Song foofahrah
None of this really seems to amount to a plot. Frankly, while I don't mind Catherine Tate as the lady-who's-not-gonna-fall-for-the-doctah (nope, absolutely not), as I think she at least has a decent sense of comic timing, so far I can't say that the new season of Who really has anything going for it.
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I should probably add, one of the reasons I don't now mind Tate is that at least (so far) the writers seem to have moved on from her previous characterization as a bubble-headed, self-involved screamer. But there's still a fair bit of waffling around about what exactly her motivations are. And quite often I find myself shocked that she doesn't give herself whiplash with her emotional careening... (Anger, Catherine! Terror! Sorrow! More!)
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