There are Core people and there are Rim people. Core people wear silver, gender-neutral clothing and love fascism and artificial light. Rim people wear floor-length WWII-era trench coats and love modified libertarianism. These are the only two kinds of people. Plus there’s one ocean planet full of mermaids.
Forensic science, magic, mystery, and romance mix in this edgy steampunk fantasy—a retelling of the horror classic, in which Dr. Eliza Jekyll, daughter of the infamous Dr. Henry Jekyll—pursues a dangerous murderer in an alternate Victorian London.
In an electrified Victorian London, Dr. Eliza Jekyll is a crime scene investigator, hunting killers with newfangled technological gadgets. She will need every advantage available to catch a terrifying new psychopath splattering London with blood. Hidden in the grimy shadows, the fiendish murderer preys on beautiful women, drugging them before slicing off their limbs. Finding the “Slicer” can make Eliza’s career . . . or unmask her darkest secret. Like her father, she has a hidden second self that emerges when she drinks his forbidden magical elixir. Just a few sips, and a seductive and impulsive Lizzie Hyde is unleashed.
The members of the Royal Society do not trust Eliza, and they send their enforcer, the mercurial Captain Lafayette, to prove she’s a dangerous sorceress. The careful doctor knows that one wrong step can make her prey to the clever Lafayette, a man who harbors an evil curse of his own. No matter how much she craves the elixir, she must resist.
But as the Slicer case draws her into London’s luminous magical underworld, Eliza will need the potion’s power to help her . . . even if it might attract the attentions of Lafayette. .
Even if it means setting the wild Lizzie free. . . .
When legendary Russian auteur Aleksei German died in 2013, he left behind this extraordinary final film, a phantasmagoric adaptation of the revered sci-fi novel by the Strugatsky brothers (authors of the source novel for Tarkovsky's STALKER). HARD TO BE A GOD began percolating in German's consciousness in the mid-1960s, and would actively consume him for the last 15 years of his life. Happily, he brought the film close enough to completion for his wife and son to apply the finishing touches immediately after his passing. Taking place on the planet Arkanar, which is in the midst of its own Middle Ages, the film focuses on Don Rumata, one of a group of earth scientists who have been sent to Arkanar with the proviso that they must not interfere in the planet's political or historical development. Treated by the planet's natives as a kind of divinity, Don Rumata is both godlike and impotent in the face of its chaos and brutality.